A Tribute to Angelee Deodhar

Angelee Deodhar cast a long shadow on the haiku world in India. When she passed away recently it was a shock which has still not worn off. This is a small tribute to one of the giants of Haiku by members of InHaiku Mumbai and friends. 

I met Angelee in the winters of 2013 in Pune. Seems like such unassuming statement to make. Except, it changed my life. It changed who I was. And who I will be. It is also possible that I was already changing, and she was merely the catalyst, hurrying me along the path I had already chosen.

So, let me try and begin again.

I met Angelee in the winters of 2013 in Pune. I had known haiku for about 4 months by then and we were at the Haiku Utsav. I, a neophyte haiku poet – bumbling, bustling, unaware; she, a master of the genre – respected, genial, polymath. I have to-date no idea, why she took me under her wing. Why she decided to beam one of her smiles in my direction or crack a joke or share her mail id. But that’s what she did.

If life is a journey and we at the end of our individual roads turn back to look at life stretched out in front of us, there will be dates, events and occurrences that shine brighter than the others. They will be the beacons around which the rest of our existence revolves and evolves. Meeting Angelee, that fateful day was that beacon.

For the next five years or so, I was to know her generosity, spirit, unparalleled wit, whims and her monk-like calm. All of it mostly over emails, which would come by the dozens. She gave me the gift of word. Painstakingly, one word at a time she held my hand through the nuances of haiku and haibun. She was my guru but not just for writing. Our mails would often spill over to life philosophy, jokes and cartoon strips. Her favourites were ‘Peanuts’ and ‘the Tigger and Pooh’. Mine ‘Calvin and Hobbes’. It’s only over my mails with Angelee that I realized, how crystal the life philosophy of these cartoon characters was.

She stood by me through highs and lows, through death of loved one, through failures. Over the course of time, our relationship would evolve. From Mentor-mentee, to that of friends and eventually in 2015 – when she asked for my address and sent me a sacred thread – to that of a brother and sister.

Like all relationships, we also had our differences. She would warn me against the hazards of publishing a book too soon and I would express my misgivings about her refusal to get her work out despite a lifelong devotion to the form. But like all good relationships, they were just that, difference of opinion.

Her last email to me on 27 Jun 18, reads ‘To relieve stress, I do Yoga. Just kidding, I drink wine in my Yoga Pants.’ Sixteen hours later, a WhatsApp message would inform me of her sudden demise. I am yet to come to terms with it. To accept that there will be no more words of wisdom, no more inappropriate jokes, and no more dinners or plays when we meet at haiku meets.

Someday I will be able to look at this differently. I will be able to recognize that she continues to stay with me in her poetry, mails and life lessons. But for today, I am selfish and unreasonable. I want her back in my inbox, one more time, with a joke totally inappropriate, and all the more funny because of it.

Paresh Tiwari


against calloused feet
for Dr. Angelee Deodhar

On my first visit to your house, you insist I walk barefoot in the garden. You introduce me to the plants and the trees; periwinkles, chrysanthemums, peepal, frangipani, bougainvillea, holy basil, ginkgo you point faster than I can follow.

Before I leave, you press a slim volume of Issa’s translated haiku in my palms. Between its pages you have left a fan shaped leaf. On one of your trips to Japan, you had picked up the sapling near a master’s hut. Pressing its wisp thin roots in a fistful of soft loam, you had wrapped it loosely in clear plastic.

Nine hours later, you opened the suitcase frantically, tossed out the kurtis, the trousers and pullovers over the tiled floor of the house, stopping only when you could see two tiny leaves nodding under the clear plastic sheet.

Yesterday, I pulled the books down from their shelves. One by one at first. And then with increasing urgency. As if I could change it all, if only I could find that solitary leaf. Hung upside down from their spines, the books refuse to cough up anything more than a few desolate syllables and a parade of orphan images.

after you . . .
the ginkgo leaf now
lost forever

Note – The title of the haibun has been taken from Angelee Deodhar’s jisei haiku (death poem) . . .
water worn boulders
so smooth now
against calloused feet

Paresh Tiwari



I have a photograph of Angelee with my mother, you cannot make out who is who. This was taken when she came home, the day after Distilled Images, the haiku conference and ‘utsav’ that I had organised in Mumbai.

angelee 2.jpg

She had a happy, restful day, going over my collection of Ganesha icons. But it was my marbles that intrigued her most, the ones I’d collected over innumerable matches in childhood (I’d lose them all were I to play now). She held a few in her hands, closed her eyes and meditated upon them. There would be a few in her hand throughout the visit.

jackfruit tree―
the one bent branch
that reached me

She did me the honour of turning me into a haibun. I don’t know if it’s published or not, she didn’t seem to keep track. She did keep track of emails though. They sit there in my mailbox, by the dozens. From mostly WhatsApp Good Mornings they had turned to senior jokes recently. I have saved them all. Like Max before her, she leaves me with a lot of writings to read on a rainy day, but without the comfort of blotches left behind by hidden tear drops.

apple flowers
―only the chill parts
the quietude

Raamesh Gowri Raghavan


Angelee : A Tribute

The manner in which our lives intertwine often gives me pause. What could possibly connect Dr Angelee Deodhar, retired opthalmogist and haijin par excellence from Chandigarh, with a nurse from Breach Candy hospital and a Bombay based companion animal veterinarian? What smile of fate brought Angelee to S.I.E.S. College, Bombay, for Distilled Images, a conference and festival of contemporary haiku in September 2014 that I too participated in?

At the end of the two day conference, Angelee asked if she could be dropped at a friend’s. Gautam, Rohini and I were more than happy to do so, as it promised an hour’s interaction with a truly accomplished haijin and a wonderful person. It was only when we approached a large Parsi settlement and Angelee asked for help finding the address, that I realized it belonged to the one client I had in that entire colony! A retired nurse with an Indian dog, my patient. And thus was born yet another subplot in the story of my life.

The next time I met her was at the Pune Haiku Utsav, Triveni in 2016. She appeared to have slowed a little but in a dignified manner, and the charm, wit and acerbic sense of humour was very much in evidence. Incredibly this doyenne of the haikai sensibility would email me a congratulatory note each time I got published. I will always be grateful for those moments of encouragement.

A few months back Mrs Shroff shared with me that our mutual friend was unwell. Thereafter all my e-mail correspondence with her would end with a query after her health. Angelee would reply with silence. When she moved on that is what she left in her wake. Stunned silence. Honest, compassionate, yet no nonsense the grand dame of Indian Haikai writing has left for better spaces. R.I.P. Angelee. We will always love you. My best wishes for your onward journeys, and may they each be lovelier, more exciting and more vibrant than the last.

bone china
your flawless skin
our memories

What follows is a conversation with Sister Pesi Shroff, old friend of Dr Shashi Mehta a.k.a. Dr Angelee Deodhar and a client of mine since some years, interspersed with some Ku penned by the good doctor herself (A.D.)

I was first introduced to Dr Shashi Mehta (maiden name) by a common American friend, Velena Boyd who had fought in World War 2 with my Karachi based cousin, Perviz Pavri. It happened perhaps in the late 60s or early 70s. Shashi was a beautiful, warm person. We bonded well and kept up a postal correspondence for decades thereafter. She used to write even then and would send me some of her poems from time to time.

meeting new friends
a flight of pigeons
rain-wet pavement

One day Dr Shashi requested if she could come stay with me for a couple of days. It turned out to be a momentous visit. She asked if a friend could come over for a bit. That was my first contact with Dr Shridhar Deodhar, a physician and a fine gentleman. They stepped out for a discussion and returned having decided to tie the knot.

sharing an umbrella
your wet left shoulder
my right one

I attended the wedding in Chandigarh. Angelee and her fiancée Dr Shridhar received me at the station with a shawl. It was cold back then and I still remember the gesture. We put up at her brother’s (Dr Ravi Mehta) soon to be in-laws’ bungalow. The extremely pleasant and comfortable fortnight’s stay concluded with a traditional gesture generally reserved for family. The Deodhars gifted me a pair of gold ear tops (Shows me her ears. Still has them on) and house hold utensils including a pressure cooker.

We stayed in touch via post and inland letters. She would even send me her books and continued to visit from time to time. Once with her then four year old son Ananth. A very sweet boy, he was the apple of their eye. She enjoyed the Parsi cuisine here, be it patra ni machi, dhansak, poro (parsi omelette) or cutlets.

There followed a hiatus of almost a decade, from the early 90s onwards. No replies to my mail. I was told that Angelee had stopped working and was having personal issues.

between us
vapors from the tea cups
autumn chill
A.D. (Modern Haiku Vol. XXXI, No.3, Fall 2000)

One day an inland letter arrived from her husband apologising for the breakdown in communication. It seemed he was very unwell. Within a week of the correspondence he passed on. It was a crushing blow for Angelee and she became depressed. It was to be another four to five years before she contacted me. She was coming to Bombay. We met and rekindled our friendship.

acres of darkness
outside, inside
then a firefly

Sometime later I was diagnosed with cardiac issues and had to undergo a series of angioplasties. Angelee got to know about my financial issues and helped me out on at least three separate occasions before I requested her to stop.

She was extremely fond of her dogs.

midnight walk
the dog nudges me down
our moonlit path
A.D. (The Asahi Shimbun, Sat-Sun, Oct 25-26, 2003)

I well remember her joy when her grandchild was born.

the school bus gone
from room to silent room
the dog follows me

Then one day I heard she was ill. Angelee shared that she was feeling heavy headed. I pressed her for the reason. She said that she didn’t like to speak about her hardships. Each must bear their own burden. She could barely speak. Her family thankfully was very close knit and extremely supportive of her throughout.

summer heat-
finally letting go
the tangled kite
A.D. (C.H.O. July 2018, Vol. 14, No 2)

Angelee was one of my dearest friends, as good as family. Always helpful, generous to a fault and understanding. I have never met another like her. Although we lived far from each other we shared a strong camaraderie. Regularly exchanged birthday and anniversary wishes. It would have been her birthday on the 20th of this July. I hope she is at peace. God bless her and your family. (Breaks down)

angelee tribute pic

(Mug gifted to Sister Shroff to commemorate the birth of her grandchild)

water worn boulder
so smooth now
against callused feet

Dr Angelee Deodar’s Jisei (Death Poem) Mann Library’s Daily Haiku

Dr Brijesh Raj


the twinkle
in your eyes . . .
in the stars

Angelee and I shared many moments of warmth and fun. We met only at haiku conferences but the camaraderie we shared managed to survive the geographical distance – we lived in opposite ends of the country. What started as discussions on haikai and haibun moved quickly to facets of Japan that we both found intriguing and fascinating.

One such conversation was about Jizo Bosatsu, the Boddhisatva who postponed Buddhahood to wait until all people on Earth are saved. We talked about her favourite Jizo, with the red bib and hat, a common sight in Japan. It is said that Jizo protects families and looks after children in the afterlife and helps them in their wanderings in ‘limbo’. A couple of years ago, on Vishu, I sent her a picture of ojizosama from my visit to Kamakura. She was thrilled and her delightful email reply came straight from the heart. She put her lovely haiku onto the photo and sent it back as a haiga!

Later, Angelee’s email messages and telephone calls would (of course) bolster my efforts with haiku but would also help in keeping me focused while dealing with health crises in my family and many routine tasks – “do the routine and from it, haibun will follow”. Ever since she heard my Japanese, she addressed me as ‘JG’ (Japani Gudiya). At the Pune conference, to my friends’ delight, she would frequently rib me – JG, JG, JG. I didn’t realise that it was to be the last time we would meet.

angelee tribute haiku

tanabata –
my wish to see you again
in the river of stars

Geethanjali Rajan


A letter from Angelee

Dear friends,

I have just returned at12.27 am ,from the Jindal Hospital,Chandigarh
where Ishu and Ananth were blessed with a baby boy .

He was born at 4.30 PM on 1st Feb,.and weighs 2.6 kg.

Ishu is tired as she had to undergo a Caeserean Section.Ananth is all thumbs when the baby cries…

With lots and lots of love, from all of us,

relearning how
to change the umpteenth diaper
the arthritic granny

K. Ramesh


For Angelee


Twilight Transience

The Triveni World Haiku Utsav 2016 at Pune.

When I met her I little dreamt that I should absorb the vision that was Angelee deep into my heart and soul. So that I could conjure it up at will, caress it with my eyes and breathe in the fragrance of her gentle smile. Who was to know then that she would depart so soon and leave us clutching at wisps of her memory.

morning mist—-
fading into nothingness
her smile

A tanka for Angelee:

the ashes
of her memories
long scattered…
still looking for a star
with her name on it

A haiku for Angelee:

rooster’s cry ~
how painfully the sun births
this empty day


Gautam Nadkarni


I did not know Angelee personally. I met her or let’s say heard her for the first time at Distilled Images – the International Conference and Utsav on Contemporary Haiku. It was at this event that she participated in the session – straw sandals: learning to write haibun.

Haibun, is a form that I was totally unfamiliar with, but she set my imagination on fire with her presentation on the subject. I returned home and stretched out immediately for a pen and paper and that’s when my tryst with haibun began

cropping and clipping-
I wish I owned a pair
of word scissors


Sandra Martyres


I have met Angelee just once and that was during the Haiku Utsav at Pune- a shooting star who blazed across the firmament of my mind, sprinkling me with star dust.
I dedicate this haiku to her :

navel cord-
from this one banyan
a grove of trees

Vidhya Venkatramani

torn pages…
fragrance of her ink
in every word

we refuse to let go
of the memories

Shreya Narang


dripping mist
pulls the sky
into the valley

The first haiku I wrote, also the first haiku accepted (Bottle Rockets, autumn 2005), I dedicate to Angelee Deodhar.

Even before I met Angelee, I met her husband, Dr Deodhar. I was asked to collect two of Angelee’s books from him, as he was visiting his sister, who lives in Pune.

Dr asked me to recite one of my haiku. I recited ‘dripping mist’. I was so raw. Didn’t even know how to say it. It was over even before I started it! Dr said, “Angelee always says a haiku should be repeated twice.” I did!

Then I met Angelee in February 2008 at Sri Sri Ravi Shankar ji’s ashram at Bangalore where I had organised the 9th World Haiku Festival. We had honoured her with a Kashmiri shawl … I still remember the warmth of her beautiful and gentle smile.

I’ve met Angelee many times after this and spoken to her innumerable times (long conversations) and our exchanges were always filled with laughter. Her sense of humour was special.

Each time I called her before I organised any utsav, and even during the making of the anthology Naad Anunaad, she would say, “take care of your health, Kala. You are doing a lot. Don’t spread yourself so thin.”

The five days I spent with her at the Haiku North America Conference in Union College NY in 2015 and more recently at Bhubaneshwar in February 2018 are days that will remain with me.

Her death was a shock, it was too sudden.

undulating desert sands
touch the evening sky …
memories of you
blossom from somewhere
deep within

Kala Ramesh

More than a decade ago, while I was struggling to learn this new and teasingly short form of poetry called haiku, I came across a few poems which moved me. Some were by the masters and intense, the seventeen syllables coming across the centuries with vivid and unforgettable images.

And one haiku was by an Indian I had never heard of at that time. The poem was warm and comfortable and brought the scent of home with just a hint of unresolved issues behind the scenes.

between us
vapors from the teacups
autumn chill

So much in a few simple words. Poems like hers made me decide to explore this unfamiliar but tantalising form of poetry.

Over the years I read more of her poems.

haiga workshop
in the downstroke of the brush
the sound of rain

sharing an umbrella
your wet left shoulder
my right one

I met Angelee a while later, at a Haiku conference in Bangalore. She was warm and friendly and always gave me an enormous hug. We continued to meet mostly at conferences and stayed in touch over email. She was always very prompt about answering mail.

In the last few months she was not responding to email either and I heard that she was ill.

an I.V. line
anchors me to the monitor
thoughts still wander

While looking for her haiku I found her death poem right here on Cafe Haiku. Who can say it better? She had a tough and painful life, but it is the harshness which creates the most beauty.

water worn boulder
so smooth now
against callused feet

I wonder if somewhere she is still writing haiku, carefree in some ethereal realm.
We will miss her in this physical one.

Rohini Gupta


Haiku review – the last poem

This is the haiku review for the haiku, the last poem, by Sanjuktaa Asopa. The review is by members of In Haiku Mumbai and Chennai.


the last poem
signed with a flourish-
falling star




This poem leaves so much open to interpretation that it has all the hallmarks of a super haiku.


I say haiku with some reservations because “falling star” appears to be a kigo. Yet the sensibility seems to point to the senryu. After all, writing poetry does not belong to the purely natural world and appears to be more man-made.

Apart from categorizing the poem, there is more than one level that opens up to the perceptive reader.

Who was this poet? Did he/she know the poem would be the last one at the time of writing? Or did the chronicler interpret it this way much later?

The flourish mentioned, may be an interpretation rather than intended by the poet.

Falling star, is suggestive of decline, but who noticed it, the poet of the last poem or the chronicler?

All these questions have a myriad possible answers, and as a well known critic once said, rhe more interpretations possible, the better the poem.





This haiku by Sanjuktaa Asopa starts with an end by referring to a last poem. The stage is set for a sad haiku defined by a sense of loss in the first line itself. The second line introduces the poet (without any pronouns) and shows the flourish with which the poem has been signed. The image of a poet who is on the verge of a literal or metaphorical death is what comes to mind. This could be the last time the poet will ever write and sign a creation.


Then, Sanjuktaa juxtaposes the flourish of the pen very deftly, with a falling star. Suddenly, the poem takes on a very different depth because to me, the image of a falling star is one that lights the sky and one that many yearn to see and perhaps, wish upon for their own future. The poet has perhaps lit up the world around her with her own creations and now, knows that she has to move on. And hence, the flourish of the last signature. The clever play on the words ‘falling star’, which could refer to leonids and perseids or to the falling star which is the state that the poet herself could be at, leaves the haiku at a semicircle with plenty of scope for the reader to step in and interpret.


From a sad haiku, this turned into a poem about quiet acceptance, dignity, ends, and perhaps, even trailblazing. The endless possibilities are definitely what made this haiku a winner. (It won a prize in 2011 at the Calico Cat international bilingual haiku contest held by Origa in memory of Hortensia Anderson).




the last poem—anything that suggests “a last” is so sad; and here it says-a poem. how sad! When does one say its a last poem .when the poet is no more. A death ku?


signed with a flourish— wow that gives me hope but with a tinge of sadness that its all coming to an end. but not before that one last performance.


falling star- bright and beautiful journey of a star before it gets lost


As I finish reading this poem, one image flashes on my mind. Sachin Tendulkar.




A rather sad haiku is brightened with ‘a flourish’. The last line sounds final.  Did she give up writing? Or is it a death haiku?


Falling star suggests the process has been going on for a while.  The decline may be due to old age or the declining fortunes of a famous person. But it is rescued by ‘signing with a flourish’ which shows a certain awareness of the decline and a defiance of it by signing with a flourish even right at the end.


So it’s really a hopeful haiku. I like the flourish put in the middle line so it can cushion  the bleakness of falling star which might have been too much of a downer on its own.




The context of the phrase gives a second meaning to the fragment: of the poet on the decline. This reading then reanimates the phrase, in my mind there’s the image of the poet/ess struggling to accept that s/he’s no longer as popular as s/he was, and like all declining stars, the flourishes becoming more pronounced. The first line nevertheless indicates an end to this struggle; the acceptance, perhaps even surrender, that there will be no more poems. So why not sign it off with a flourish?


Analysis is of course, not without context. Though Sanjukta might not have intended it, her ku makes me re-examine the publishing phenomenon that is Rupi Kaur, now on the upswing even as her popularity leaves the current price establishment in tatters, and I wonder how prepared she is for the inevitable eclipse. In the same way that one sees writers, sportsmen and ageing movie stars.


Is it a death ku? I do not think so, but there is the inevitability of it, but an artistic rather than literal death. A signal for our times.




There is a certain pathos to this ku. The last poem of the poet signed with a flourish… gives the impression that the poet’s best days are over and that his talent is on the decline. Recognising this sad fact, the poet gives significant importance to what he thinks is his last work of art.




Perhaps a death ku, L1 sets a poignant tone. The word ‘flourish’ in L2 though suggests an almost impish satisfaction at a writing life well spent. After all, even a falling star draws gasps of delight.


I wonder if it could also allude to the creator’s pen using the skies for a page and a falling star as a signal for us to sit up and take notice, now that his/her work is done




She is an aging diva, a doyen of yesteryears. And now she has given her final performance. She knows she will not be performing again. And hence gives her best.


This piece is also reminicent of O.Henry’s last leaf. The masterpiece that the artist dreams is his/her final performance.


Does she like the artist in the O.Henry’ s story die a physical death? Or is it an artistic death?

Bappaku – haiku for the Ganesh festival

For Chaturthi

On Ganpati Day
our society lawn plucked clean
of all its freshness

toothless smiles
our boy loudly welcomes

Raamesh Gowri Raghavan


Ganesh Utsav –
the drum beats follow me
even in my dreams

their Ganesh idol dwarfs

monsoon fury-
“Ganapati Bappa Morya”
drowned by rain

Lalbaghchya Raja-
devotees brave the rain
for a single glimpse

Sandra Martyres


adding more colour
to the Ganesha

Ganesh pooja
the devotee’s raised eyes linger
on the cracked ceiling

Gautam Nadkarni


Ganesh shopping
the vendor insists

rain break
no queue before
Lalbaghchya Raja

the temple Devis
are left in peace

‘vada pav’ chants
greet the midnight surge
of Ganesh devotees

Brijesh Raj


each year
the Ganesh idol … the many
of our desires

Kala Ramesh


poetic license
the Ganesh in the bylane
wears goggles

gallery of gods
one more ganesh
in my farewell gift

trunk of ganesh
the washing machine hose
falls on the stage

Ajaya Mahala


For Visarjan

into the cloying embrace
of the sea

all the colours washed
by the sunset

mom worries about the idol
getting wet in the rain

visarjan crowd…
the drumming goes on and on
in my head

Gautam Nadkarni


the empty space
left behind

pelting rain –
visarjan on the streets
this year

Sandra Martyres


Visarjan day…
the sea takes the god
and his faithful

tying shoelaces
just as the procession’s drums
take up the rhythm

Raamesh Gowri Raghavan


the colours run down
a devotee’s face

Brijesh Raj


rising above
the beach crowd
a massive ganesh

Ajaya Mahala


visarjan …
the dholak    the procession
wakes up my baby



ganpati bappa morya
pudcha warshi lavkar ya rents the air …

her child
born on ganesh chaturthi
believes in Him no more

Kala Ramesh

Elephant-headed haiku

Swinging to the chants of Ganpati Bappa Morya, The city of Mumbai celebrates its annual ten-Day festival in honour of Ganesha, the bringer of good things and the vanquisher of bad things. IN haiku Mumbai joins in the spirit with a special haiku ‘utsav’.

Send in your haiku, haibun, tanka, kyoka and senryu to inhaikumumbai AT gmail DOT com on the theme of the Ganpati festival, and we’ll feature them on our blog. Submissions remain open till sunset, 5 September 2017.

Our anthology— we’d like another date with you

Dear Friends, Lovers and Bringers of Chocolate,

We’ve been delighted by the response we got when we put out the call for submissions to our 3rd Anniversary Anthology here: http://wp.me/p7sIE9-eP

A first round of selections was done in our first committee meeting last month, and we were waiting to go through the subsequent submissions that came in by July 31. As that meeting is scheduled only for August 12, we wondered among ourselves whether we should keep the window for submissions open till then.

And so by popular vote, we decided we will. So we’re open to all submissions of haiku, haibun, tanka, tanka-prose, renku, renga, rengay, tan-renga and experiments with Japanese forms. As we said earlier, we aim to publish all these in an e-anthology on Kindle by Diwali time. You will find all the submission guidelines here: http://wp.me/p7sIE9-eP

Submissions will remain open till 12:00 (noon) on 12 August 2017, Indian Standard Time.

A second cup of cutting chai

cutting chai –
finally the rejection letter
off my mind

Arvinder Kaur


the Taj cafe—-
the steward’s smirk as I order
cutting chai

full cutting chai…
the waiter asks me once more
if I’m sure

Gautam Nadkarni


cutting chai –
the cup that helps me
brave the monsoons

chilly morning-
road-side vendors serving
cutting chai

the sights and feel of home –
mugs of cutting chai

Sandra Martyres


some things
are inevitable…
cutting chai
at the hospital canteen

cutting chai
the flutter of divorce papers
between sips

Sanjuktaa Asopa


cutting chai
the rain falls
in both the glasses

Alaka Yeravadekar


cutting chai —
mother snaps the last biscuit
into perfect halves

Kala Ramesh

Cutting chai

The following haiku were written on the spot at our last meeting.

pelting rain-
the thought of cutting chai
drives me home

for frayed tempers-
the perfect antidote
cutting chai



hanging low
in the winter breeze
her breath
and the taste
of ginger on my lips



cutting chai
again the waiter interrupts
my proposal



cutting chai
the vegan
at a loss

cutting chais
the poets
make them count

winter’s eve
the urchin
begs for ‘cutting’

nursing a ‘cutting’
the world
through misted glasses

spring cool
the lovers share
a ‘cutting’



the price of wi fi
cutting chai

the argument
more cutting than
the chai



behind the Taj…
I catch the chef sipping
cutting chai

at the tapri
the chaiwala from
across the street

scanning the menu
I wonder what they mean
by chai latte

cutting chai…
I watch my last pennies
jingle away

cutting chai…
still looking for
a smart kireji



Would you like to submit something on cutting chai? Do send your haiku, tanka, haibun or senryu to inhaikumumbai AT gmail DOT com.